The 40th season is coming to a close for Manitoba Opera and they are ending on a perfect note, with Aida. With one final chance to catch this performance on Friday, April 19th you really don’t want to miss it. This is a tragic but touching love story about an Ethiopian princess who is forced to become an Egyptian slave and she falls in love with the leader of the Egyptian army. Confronted by her father, who is taken prisoner she is forced to choose between her country and her love.
My beautiful cousin Madison, who just turned 18, was my date. It was her first time at the opera and as a singer and performer I knew that even if she didn’t love the style, she would appreciate the music and talent. We both agreed that Michele Capalbo, who plays Aida was a show stopper. Her emotional and dynamic singing was literally
breathtaking. I had a feeling that those deep crescendos Verdi does so well, and sung perfectly by Capalbo, would give Madison the shivers and they certainly did.
Aida is a huge opera, in fact it’s the largest opera that the company stages and it is impressive to see. With the huge, forbidding sets, designed by Robert Oswald taking us to ancient Egypt and over 68 singers in the cast it is a truly powerful performance. There were a lot of locals in the cast including Phillips Ens, who plays Ramfis the high priest, Gregory Dahl, who plays Amonasro the king of Ethiopia, David Watson who plays the King of Egypt and last but not least Lara Ciekiewicz who plays the High Priestess. I had the pleasure of hearing Lara sing an Aria at Bistro 7 1/4 not long ago and was blown away by her voice and presence, I can’t wait to see her next year in La Bohème.
There was also some excellent performances from the Royal Winnipeg Ballet Aspirant Program, which was a great addition to the opera. Overall, it was a grand and beautiful production, everything you should expect from Verdi.
Happy 40th Birthday Manitoba Opera! I’m looking forward to seeing what the next 40 years have in store. 
Photo credits to Manitoba Opera – R. Tinker





























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